The Picture of Dorian Gray: Exploring the Intertwinement of Art and Philosophy

Authors

  • MUHAMMAD REHAN University of Sialkot, Sialkot, Fateh Garh, Sialkot, 51350, Pakistan Author
  • ZAIN FATIMA University of Sialkot, Sialkot ,Bank Road Daska, Daska, 51010, Pakistan Author
  • SAIF AHMED Cheema Colony Street no 6, Wazirabad, Punjab, 52000, Pakistan Author
  • MASOOMA ERZA HASSAN Aziz Shaheed Colony Colony house number 57, Sialkot, 51310, Pakistan Author

DOI:

https://doi.org/10.5281/zenodo.10616965

Keywords:

The Picture of Dorian Gray, Oscar Wilde, Novel, Beauty, Morality, Art, Philosophy, Relationship, Intertwinement, Critical interpretations, Literature review, Aestheticism, Conventional moral values, Pursuit of beauty, Pleasure, Responsibility of artists, Metaphorical representation, Ethical dilemmas, Walter Pater, Friedrich Nietzsche

Abstract

The Picture of Dorian Gray (1890), written by Oscar Wilde, is a novel that explores the themes of beauty, morality, and art. This article explores the relationship between philosophy and art in the novel The Picture of Dorian Gray (1890), which has different perspectives presented on the intertwinement of art and philosophy. The literature review focuses on the various critical interpretations of the novel, with a particular emphasis on the philosophy of art. The methodology used in this study involves a close reading of the novel, an examination of its characters, and events, and analysis of its key themes through the lens of different philosophical theories, authors, and critics. The study concludes that The Picture of Dorian Gray (1890) raises important questions about the nature of art and its role in philosophy, and the responsibility of artists in creating works, arts, and philosophies that are both aesthetically pleasing and morally responsible.

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Published

2024-01-14 — Updated on 2024-01-30

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How to Cite

The Picture of Dorian Gray: Exploring the Intertwinement of Art and Philosophy. (2024). International Journal of Art, Culture and Communication, 2(2), 8-13. https://doi.org/10.5281/zenodo.10616965 (Original work published 2024)